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Browsing by Author Egan, Gabriel

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Issue DateTitleAuthor(s)
2001Idealist and materialist interpretations of BL Harley 7368, the Sir Thomas More manuscriptEgan, Gabriel
2005Impalpable Hits: indeterminacy in the searching of tagged Shakespearian textsEgan, Gabriel
2010Intellectual property and the creative artsEgan, Gabriel
2010Intention in the editing of ShakespeareEgan, Gabriel
2010Introduction: the struggle for Shakespeare's text: twentieth-century editorial theory and practiceEgan, Gabriel
2001John Heminges's Tap-house at the GlobeEgan, Gabriel
2000Leashing in the dogs of war: The influence of Lyly's Campaspe on Shakespeare's All's Well that Ends WellEgan, Gabriel
1999The Lords Howard's Men at the Rose and on Tour in 1599Egan, Gabriel
2008Making editions for close readers: the Arden Shakespeare 1899-1904Egan, Gabriel
2001Marx the Shakespearian / Shakespeare the MarxistEgan, Gabriel
2011The missing page: Hancock's half hour and the debasement of literatureEgan, Gabriel
1997Myths and enabling fictions of 'Origin' in the editing of ShakespeareEgan, Gabriel
2006New directions in Marxism: Shakespeare, ecology and productionEgan, Gabriel
2009Open access and the academicEgan, Gabriel
1996'The outlook changeable, but mostly wet'. Review of The Two Gentlemen of Verona, directed by Jack Shepherd at Shakespeare's Globe London, 24 August 1996.Egan, Gabriel
2003The past as prologue: Marxist historicism and the Globe reconstructionEgan, Gabriel
2004Pericles and the textuality of theatreEgan, Gabriel
2005Platonism and bathos in Shakespeare and other early modern dramaEgan, Gabriel
2011Precision, consistency and completeness in early-modern playbook manuscripts: the evidence from Thomas of Woodstock and John a Kent and John a CumberEgan, Gabriel
2009Press correction and the Shakespearian editorEgan, Gabriel
Showing results 34 to 53 of 118