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Please use this identifier to cite or link to this item: https://dspace.lboro.ac.uk/2134/24670

Title: Cheap, crude and eccentric: artist's work in slide-tape in the UK since the 1970s
Authors: White, Mary C.
Keywords: Slide-tape
Time-based media
London Filmmakers Co-op
Artists moving image
Avant-garde film in the UK (1970s-1990s)
Women artists
Black British artists
Issue Date: 2017
Publisher: © Intellect Ltd
Citation: WHITE, M.C., 2017. Cheap, crude and eccentric: artist's work in slide-tape in the UK since the 1970s. Moving Image Review and Art Journal, In Press.
Abstract: This article will look at the use of slide-tape by artists during the 1970s and 1980s in the United Kingdom. Slide-tape was a series of projected 35mm photographic slides with a synchronized audio soundtrack. It is significant in the United Kingdom for being used by a number of key and emerging artists for a brief period before being abandoned. This moment itself has been largely forgotten and is overlooked. The use of slide-tape as a critical tool used in artist’s work is considered and an argument made for its contribution to the development of artists’ moving image media.
Description: This paper is in closed access.
Version: Submitted for publication
URI: https://dspace.lboro.ac.uk/2134/24670
Publisher Link: http://www.intellectbooks.co.uk/journals/view-issue,id=3184/
ISSN: 2045-6298
Appears in Collections:Closed Access (Arts)

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