Loughborough University
Leicestershire, UK
LE11 3TU
+44 (0)1509 263171
Loughborough University

Loughborough University Institutional Repository

Please use this identifier to cite or link to this item: https://dspace.lboro.ac.uk/2134/26027

Title: Naoya Hatakeyama and the photographic representation of Post-Tsunami landscapes in Japan
Authors: Bohr, Marco P.
Keywords: Art
Disaster
Memory
Photography
Representation
Trauma
Issue Date: 2016
Publisher: © Intellect
Citation: BOHR, M.P., 2016. Naoya Hatakeyama and the photographic representation of Post-Tsunami landscapes in Japan. Journal of Contemporary Chinese Art, 3(3), pp. 355-366.
Abstract: This article investigates the role that art photography of in relation to the earthquake and tsunami that hit Japan in March 2011. The article focuses on an ethical and moral debate that emerged amongst Japanese photographers who questioned how the disaster and its aftermath can be, or should, be represented in a photograph. At the forefront of this debate was the photographer Naoya Hatakeyama whose personal connection to the region turned him into a quasi spokesperson for his profession. Through a close reading of his photographic works, the article situates post-tsunami photography in relation to wider photographic trends in Japanese visual culture.
Description: This paper is in closed access until Dec 2017.
Version: Accepted for publication
DOI: 10.1386/jcca.3.3.355_1
URI: https://dspace.lboro.ac.uk/2134/26027
Publisher Link: https://doi.org//10.1386/jcca.3.3.355_1
ISSN: 2051-7041
Appears in Collections:Closed Access (Arts)

Files associated with this item:

File Description SizeFormat
Bohr_Naoya Hatakeyama and the photographic representation of post.pdfAccepted version656.54 kBAdobe PDFView/Open

 

SFX Query

Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.