Death of the designer.pdf (147.22 kB)
Death of the designer
online resource
posted on 2008-02-12, 17:01 authored by Juliet SprakeThis paper describes a paradigm for critical observation (or
watching skills) in design and technology. This kind of
study benefits from an understanding of linguistic theories
and interpretation of text – beyond structuralism and
semiotics – that moves towards a consideration of the ‘other’
or ‘difference’ in textual analysis. It is this that is explored
as a paradigm for developing critical thinking about
buildings and the spaces between them in design and
technology.
‘The reader or critic shifts from the role of
consumer to that of producer … The work cannot
be sprung shut, rendered determinate, by an
appeal to the author, for the ‘death of the author’ is
a slogan that modern criticism is now confidently
able to proclaim.’
(Eagleton: 138)
Augé’s concept of supermodernity (Augé, 1995), exposes the
effect of information overload on our perceptions of space.
‘Solitary contractuality’ confines the user to what the
designer wants them to do in a particular space – the
designer is at the flight deck controlling uniform connections
in a ‘non-place’. Moving away from solitary contractuality
into socially organic observation of the built environment is
the main theme of this paper – observing how users are
productive making place.
History
School
- Design
Research Unit
- D&T Association Conference Series
Citation
SPRAKE, J., 2002. Death of the designer. Design & Technology Association International Research Conference, 12-14 April, pp. 171-176Publisher
© DATAPublication date
2002Notes
This is a conference paperLanguage
- en