Loughborough University
Leicestershire, UK
LE11 3TU
+44 (0)1509 263171
Loughborough University

Loughborough University Institutional Repository

Please use this identifier to cite or link to this item: https://dspace.lboro.ac.uk/2134/32136

Title: Being out of place: Non-belonging and queer racialization in the U.K.
Authors: Dasgupta, Debanuj
Dasgupta, Rohit K.
Issue Date: 2018
Publisher: © Elsevier
Citation: DASGUPTA, D. and DASGUPTA, R.K., 2018. Being out of place: Non-belonging and queer racialization in the U.K. Emotion, Space and Society, 27, pp.31-38.
Abstract: The question of refugee rights and immigrant entry to the UK presently has come under attack with the rise of nationalist sentiment and the exit of the UK from the European Union. The figure of the Muslim migrant has been normatively constructed to represent a limit to UK's multiculturalism (and, arguably globally). Such anti-Muslim sentiment operates via displacing racialized bodies from UK public culture. This article situates the ways in which racialized queer Muslim subjects attempt to maneuver structural racism and heteronormativity in the UK. The article argues that queer Muslim immigrants perceive queer spaces in Central London as white spaces. Secondly, we will analyze how the racialized queer Muslim subject creates ethno-racial specific spaces that are located outside central London. We argue that queer migration needs to be understood as an embodied experience by paying attention to how racialized queer Muslim migrants moves through multiple spaces in the city. The article develops a mixed method approach through an analysis of Ian Iqbal Rashid's film A Touch of Pink (2004) alongside Raisa Kabir's recent exhibition In/Visible Space: Reflections on the Realm of Dimensional Affect, Space and the Queer Racialised Self (Rich Mix, April, 2013) and the narrative of a gay identified working class Muslim immigrant male from East London. We argue that queer Muslim migrants reside on the margins of British symbolic culture through a non-belonging to one's religious identity. Such non-belonging is a spatialized experience. An analysis of the film, exhibition and our ethnography reveals the ways in which sexuality is constructed and conferred through racialization and creates precariously situated queer Muslim migrant subjects within present day UK.
Description: This paper is closed access until 5 September 2019.
Version: Accepted for publication
DOI: 10.1016/j.emospa.2018.02.008
URI: https://dspace.lboro.ac.uk/2134/32136
Publisher Link: https://doi.org/10.1016/j.emospa.2018.02.008
ISSN: 1755-4586
Appears in Collections:Closed Access (Loughborough University London)

Files associated with this item:

File Description SizeFormat
ESS LUPIN.pdfAccepted version429.52 kBAdobe PDFView/Open

 

SFX Query

Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.