O'Callahan Emily Bronte Victorians.pdf (92.75 kB)
“A poet, a solitary”: Emily Brontë — Queerness, quietness, and solitude
Emily Brontë is often remembered for her extreme reserve and was clearly an atypical woman for her time. Although she was a figure who struggled within the conventional social fabric, rarely does empathy find a place in writings about her. This paper revisits some of the popular and dominant conceptions of Emily’s reserve and seeks to find a more productive—even compassionate—way of understanding her preference for solitude. Emily’s writings—especially her poems, provide such an opportunity to do so. While recognizing the negative and undoubtedly painful expressions of emotion in Emily’s oeuvre, the analysis argues that more positive insights into Emily’s desire for solitude can equally be found in her writing. Accordingly, drawing on queer theoretical sources, the paper posits a revised reading of this “difficult” Brontë that seeks to open alternative possibilities for understanding Emily’s introverted nature.
History
Department
- English and Drama
Published in
Victorians: A Journal of Culture and LiteratureVolume
134Issue
Winter 2018Pages
204 - 217Citation
O'CALLAGHAN, C., 2018. “A poet, a solitary”: Emily Brontë — Queerness, quietness, and solitude. Victorians: A Journal of Culture and Literature, 134, pp.204-217.Publisher
The Ohio State University PressVersion
- AM (Accepted Manuscript)
Publisher statement
This work is made available according to the conditions of the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) licence. Full details of this licence are available at: https://creativecommons.org/licenses/by-nc-nd/4.0/Acceptance date
2018-05-11Publication date
2018-11-29Notes
This paper was published in the journal Victorians: A Journal of Culture and Literature and the definitive published version is available at https://doi.org/10.1353/vct.2018.0019.ISSN
2475-6741Publisher version
Language
- en